From a warm whisper to a deep roar - Elevate your snare drum to its full potential The snare drum is the most important component in the drum set, and the snare-wire is a crucial component of your drum’s sound. This fact has not been widely recognized until very recently; only a few drummers understand this important connection. In 1960, Ludwig and Slingerland manufactured what has now become the standard for good vintage wires. Several manufacturers have tried to re-produce the sound. After years of research, we have replicated the Slingerland wire taking several factors into account such as material, spiral diameter and pitch. We finally decided on a core thickness of 0.5 mm, a spiral diameter of 1.35mm and a pitch of 3.4 mm. In that process, we also found that the end plate is another determinant of a snare-wire’s sensitivity, and we have tried various sizes for these as well. We concluded that 0.5mm is optimal to hold the wires. We also decided to exclude the guiding grooves for snare strings and tapes that most manufacturers use. These guiding grooves impaired the sensitivity of the snare drum. Our end plate is quite thin however; it may have caused breakage of strings and tapes. We resolved the problem by having the lapel at the holes on the end plate.   After years of careful analysis of the material composition, thickness of the end plate, shaping experiments and production consideration, we have the CANOPUS Vintage Snare Wire.Super Jazz drummer Bill Stewart once visited us. He was so impressed by our proto-type Vintage Snare Wires he asked us if he could use it. Many CANOPUS endorsers appreciate the sound quality of this snare wire.   42 Strand Rich Impact *discontinuous* These new Canopus 42 strand snare wires give a unique rich and full sound, and provide great impact.Having 42 strands may initially give an impression of being “too much”,  but the VSW-42 wires feature ultra thin end plates – allowing players to enjoy maximum tone and response at all volume levels, whilst also providing great sensitivity and control over the sound. Players can enjoy a comfortably muted, tight sound and very quick response.   * 0.5mm thick Brass End Plate* Vintage Wire 42 Strand* Dry (DR) Only

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Snare wires which enhance even the subtitles of nuances in the midst of very loud backbeats! By adopting spiral wires with an abundance of coils coupled with 1mm end-plates, we have achieved a good balance between volume that is aggressive enough for a powerful backbeat and swift response for delicate phrasing. With this one snare wire, you can hav a an aggressive, loud snare sound and maintain sensitivity. CPSS-BB14DR（Dry=Without plating） These snare wires create a loud attack and sharp response even for ghost notes. Very effective for wood-shell snare drums. CPSS-BB14NP（Nickel plated） These snare wires have both a loud attack and bright sound. They have an enormous effect on metal-shell snare drums. They will improve the potential of a loud snare tremendously. CPSS-BB14SNPW (Nickel Plated) Canopus Back Beat snare wires have been developed to emphasize the back-beat – especially in high volume situations where the snare sound may feel like it is being buried by other instruments.Maintaining these qualities of the standard Canopus Back Beat wires, we have developed the extra wide 42 strand snare wire – which allows the drummer to play comfortably, without straining, while delivering a full, pleasing snare back-beat at all volume levels. We have eliminated 2 common problems of other wide snares: 1) Canopus 42 strand snare wires do not mute the resonance and response of the drum. 2) We have controlled the indistinct sound created by excess snare buzz. Furthermore, the 42 strand snare uses high quality nickel plated wires which highlight every nuance of sound and vibration and yet have a controlled response and sustain. Enjoy the open, powerful and responsive sound.

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  From a warm whisper to a deep roar - Elevate your snare drum to its full potential The snare drum is the most important component in the drum set, and the snare-wire is a crucial component of your drum’s sound. This fact has not been widely recognized until very recently; only a few drummers understand this important connection. In 1960, Ludwig and Slingerland manufactured what has now become the standard for good vintage wires. Several manufacturers have tried to re-produce the sound. After years of research, we have replicated the Slingerland wire taking several factors into account such as material, spiral diameter and pitch. We finally decided on a core thickness of 0.5 mm, a spiral diameter of 1.35mm and a pitch of 3.4 mm. In that process, we also found that the end plate is another determinant of a snare-wire’s sensitivity, and we have tried various sizes for these as well. We concluded that 0.5mm is optimal to hold the wires. We also decided to exclude the guiding grooves for snare strings and tapes that most manufacturers use. These guiding grooves impaired the sensitivity of the snare drum. Our end plate is quite thin however; it may have caused breakage of strings and tapes. We resolved the problem by having the lapel at the holes on the end plate.   After years of careful analysis of the material composition, thickness of the end plate, shaping experiments and production consideration, we have the CANOPUS Vintage Snare Wire.Super Jazz drummer Bill Stewart once visited us. He was so impressed by our proto-type Vintage Snare Wires he asked us if he could use it. Many CANOPUS endorsers appreciate the sound quality of this snare wire.

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It enables you to angle it at 3 different positions.

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  By combining Bolt-Tight and Red-Lock, you have our “Iron-Wall Guard” to ensure that even tuning and consistent sound are retained through even the most punishing performances.

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Nylon Snare Wire Belt (CNB) We have selected flexible nylon fiber for its excellent durability in a woven belt. With this innovative snare belt, we got a natural response of a snare wire similar to the snare wire cord, and what is more, the choked sound caused by conventional film belt is not noticed at all. Snare Wire Cord (CNC) This is an ideal cord for a sustaining, “natural bound” and “stabilizing” snare wire. The only drawback used to be a sudden break of the string while in use.Canopus has conducted research into core fiber material, thread volume and weaving technique to come up with a very durable snare cord with natural bound (compared with our products in the past).The fitting of these snare wires have vastly improved whether loosely or tightly adjusted. This is a most suitable item for situations where delicacy is required (in a recording for instance).

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TB CBS200Cymbal stand Cymbal Boom stand. Two pipe section with away-arm.Double braced legs. Light and stable Specification Lower tube: 25 mm Upper tube: 19 mm Arm Lenght: 457 mm  

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Super Sensitive snare wires  Canopus Vintage snare wires are now available for Ludwig Super Sensitive drums made after 1968!The dry, warm tone of these wires brings out the original soothing and pleasant sound of these vintage drums.These wires not only give a deep, unified sound – they also provide remarkable sensitivity – making them a “must have” item for lovers of vintage snare drums.(These can also be used for YAMAHA 70’s parallel action drums SD-055M and 065M) Radio King “Clamshell” snare wires  Great news for Slingerland Radio King users!Snare wires for exclusive use on Radio King 14” snare drums with “Clamshell” strainer are now available from Canopus.The sound of these wires blends beautifully with the sound of 1ply maple and faithfully reproduces the classic “fat” and “dry” sound.For anyone who is looking for a tone that is as close as possible to the original snare sound, these snare wires are essential!

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TB DT200DRUM THRONE The 200 series height adjustable drum throne with sturdy threaded shaft equipped with locking ring. Double braced legs. Seat size: 280mm Tube section: 28,6mm Height range: 480 mm – 590 mm  

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Red-Lock (CTL-4) is a tension bolt lock developed for use with the Bolt Tight to meet the demands of even the hardest-hitting drummers. While Bolt Tight is enough for most players, Red-Lock ensures that even the hardest rimshots won’t loosen your tension bolts. Tension bolt play occurs mostly around the spot a stick strikes. The moment the hoop sinks from the force of a rim shot, the bolt becomes free and able to turn. This is when the Red-Lock comes into play, holding the bolt to prevent turning. The Red-Lock is compact and will never stick out from lugs or get in the way of drum storage, even in your custom-sized cases. By combining Bolt-Tight and Red-Lock, you have our “Iron-Wall Guard” to ensure that even tuning and consistent sound are retained through even the most punishing performances.

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Canopus Bassdrum Riser For adjustment of beating point on the Bass Drum of smaller diameter.

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TB CS200Cymbal stand Straight stand with three pipe section and double braced legs. Light and stable. Tube specification Lower tube:25 mm Mid tube: 19 mm Upper tube: 16 mm  

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